But, here’s the good news – there’s a new delight and lightness in my life. It’s from many things but includes work I’m doing with my therapist and contacting a part of me that somehow stayed clear of all the bullshit when I was growing up, she’s quite young but lovely and loving and I’m setting aside time to play with her and it’s a delight. I don’t know if I ever thought I’d use that word but there it is: delight. Joyful, sometimes makes me cry too.
Speaking of which, in a class I was teaching, a woman came in and was doing something called Playback Theater, which is a way that actors recreate stories from audience member’s lives. One of the students told a story of seeing his father for the first time when he was five and living in Nigeria and then again at 10 when his father got the family to London. It was simple but quite extraordinary in its detail and loveliness (and sadness and pain and unexpected joy at the end), and the other students who were not yet trained in this type of theater did a good job portraying it. At the end the ‘conductor’ asked what he thought and he was crying. She was able to have him say he was OK even though crying, and it was all quite moving. However, I was concerned for the student as I was afraid he might feel too exposed. But then the second miracle of the day happened, right afterwards, a bunch of the other male students came up to him and were touching him and hugging him and making sure he was OK. You have to realize when I write this that this is in a deprived area of the city, the kids are multi-cultural and none wealthy and that most of the men I’m talking about are straight, to understand what I saw and how unexpected in a good way it all was. Female students were also very sympathetic, but that I kind of expect. So, I realized he was in good hands and all was well.
I think it was the night before the miners were being rescued in Chile which also made me happy. So there is a general lightness I am feeling and an amazement. It reminds me of a time back when I was in college and directed The Serpent, which was a play by Joseph Chaikin’s Open Theater and it opened up my whole world – it was all about newness and the first time and the Garden of Eden and its destruction and something about it just opened me and it feels like that now again, but it’s my whole life, not just a play. I wonder how this will play out in my work, don’t know yet. But it’s so exciting to feel this again. I never thought I would and certainly not at 47. It’s amazing.
And then person after person I know comes up to me and says: you look great, you look so much calmer and happier. It just keeps happening over and over. So I am grateful for that and that is that.
I could go into a rant here about the government here and cutting education and how crazy they are, but I’m sure there are many who will do the same, are doing the same, have done the same and I doubt I will add anything particularly penetrating to that debate other than to say if folks start taking to the street, you’ll see me there cause the kids I’m teaching now no way are they there without a subsidized system and they deserve to be there and I hope we as a whole social body will fight for them and that they will fight for themselves as well. The happy-clappy ruling class pseudo-hippie empowerment talk is nauseating and I hope we can all get off our collective i-pods and onto the street.
And for me, if I’m on the street, these days, I’ll be dancing. A happy warrior.